The newest coworking spot is in POST Houston. Photo courtesy of Common Desk

A Texas-based coworking company has rolled out its fifth Houston-area location just on the edge of downtown.

Common Desk has opened in 32,000 square feet of space in the POST Houston, a recently renovated historic building built in 1934 at 401 Franklin St.

“Common Desk has built a homey office environment that integrates beautifully with the industrial architecture at POST Houston,” says Kirby Liu, director at Lovett Commercial, in a news release. “We couldn’t be more excited to welcome organizations big and small to office at our development.”

The POST Houston is on the edge of downtown. Photo via posthtx.com

The new location includes over 24,000 square feet of workspace, seven conference rooms, 43 private offices, a dedicated desk room, and shared coworking space. Additionally, Common Desk opened seven team suites on the first and second floors that are managed by CBRE. Tenants in these spaces will have access to Common Desk’s shared areas. Just like other locations, member amenities include:

  • Chat booths
  • A wellness room
  • Full kitchen bottomless drip coffee
  • Wifi access
  • Fiction Coffee espresso bar
  • A 32-seat training room on the first floor

POST Houston is the home to 713 Music Hall venue, POST Market food hall, and Outpost rooftop event space.

Founded in 2012, Common Desk has grown to 22 locations and counting in Dallas, Houston, Austin, Wilmington, and Raleigh. In Houston, the company has opened coworking space in five locations, including:

The company also has a location in Spring in City Place.

“We're incredibly excited to be a part of the POST Houston development and to provide an outlet for companies, entrepreneurs and freelancers to experience their workdays in such a magical and inspiring setting,” says Dawson Williams, head of real estate at Common Desk.

Common Desk in POST Houston has an espresso bar for coworkers. Photo courtesy of Common Desk

Simulation runs through June 30 downtown. Photo via Post Houston

Creative Houston art duo unveils dreamy new tech world in downtown's hottest destination

simulation stimulation

Aclever, Houston-based duo has unveiled a new digital art experience at downtown’s hottest hub. Creative technologist Billy Baccam and multidisciplinary artist Alex Ramos, founders of Input Output Creative Media Lab, have launched “Simulation,” the first artist residency at Post Houston. The show runs through June 30.

The creative team has transformed part of POST Houston's X atrium into a creative media lab. There, Baccam and Ramos have experimented with various kinds of emerging technologies to prototype and develop art experiences.

Mediums in the show include projection mapping, 3D printing, body tracking, camera vision, augmented reality, LEDs, and computer simulation, per a press release.

The “Simulation” layout utilizes the glass wall as an interface for the public to experience the art. Internally, viewers can see an amalgamation of machinery, wires, gizmos, and gadgets similar to the inner workings of a computer.

Externally, viewers can explore and interact with the art through the glass wall via body tracking sensors, augmented reality via QR codes, and just by merely watching. Various books, movies, and other memorabilia have been scattered throughout the space to showcase inspiration on the subject matter of simulations and their influence on culture, a release notes.

“We’re super excited to be able to share the art we have diligently been working on for ‘Simulation,’” the team notes in a statement. “We’ve been able to explore a variety of new mediums such as 3D printing and augmented reality while also getting a chance to dive deeper into our previous works based on projection mapping, interactivity, and computer simulations. As we continue to create, learn, and iterate, the pieces will also evolve to reflect our growth. We thank the public for engaging with our work and bringing about moments of joy and wonder.”

For more information on the duo, visit www.inputoutput.space or @1nput0utput on Instagram.

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This article originally ran on CultureMap.

Post Houston will be site of one of the world's largest rooftop gardens. Photo courtesy of Lovett Commercial

Houston to be home to one of the world's largest rooftop gardens after downtown post office's renovations

Posting up

Downtown Houston will soon have one of the largest rooftop gardens and farms in the world, thanks to the innovative reimagining of a forgotten structure. The Barbara Jordan Post Office, the massive government building nestled in the Theater District, will be transformed into a bustling, dynamic, mixed-use complex that's meant to become the city's new urban ecosystem.

At an official groundbreaking, Lovett Commercial revealed the plans for the more than 550,000-square-foot building, which was formerly the epicenter of the city's mail system from 1936 to 2014. The post office will fittingly become Post Houston and will house a concert venue, retail and office concepts, restaurants, bars, an international market hall, and a flexible co-working space.

What's sure to be a buzzworthy draw are the Buffalo Bayou and downtown views from Skylawn, the sprawling five-acre rooftop park and sustainable organic farm that calls to mind downtown rooftop green spaces in New York City. The park is designed by Hoerr Schaudt, the landscape architects behind McGovern Centennial Park in the Museum District.

Foodies, take note: The rooftop farms offer a chance for in-house restaurants to source ingredients and create a farm-to-table experience.

Photo courtesy of Lovett Commercial

The roof promises striking downtown views.


Design-minded guests will delight in the three new atriums; the building will be surgically punctured to create the spaces to draw in existing light utilizing an ETFE roof system — the first in Houston. Each atrium will feature with a unique monumental staircase that will mark the space as coworking, culinary, or retail.

As a nod to Houston's booming arts and cultural scene, the building will house installations and exhibits by local and international artists and will host events, according to a release.

The complex is designed by the world-renowned architecture firm OMA along with partner Jason Long in collaboration with Houston-based Powers Brown Architecture. Diversity is a key theme, with myriad design elements and purposes — and it's apropos that the building is named for Barbara Jordan, Houston's beloved first African American modern-day state senator.

Other than the Day for Night festival, the site has been of interest to architecture and design circles, but has largely been an afterthought. But now, the shuttered post office could become one of Houston's most vibrant destinations with its ideal strategic location.

"This forward-thinking development is breaking away from the traditional model by creating a cultural epicenter that brings local and international cuisine, retail, art, music and innovation to our theatre district," said Mayor Sylvester Turner, in a statement.

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This article originally ran on CultureMap.

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Houston VC funding surged nearly 50% in Q1 2026, report says

VC victories

First-quarter venture capital funding for Houston-area startups climbed nearly 50 percent compared to the same time last year, according to the PitchBook-NVCA Venture Monitor.

In Q1 2026, Houston-area startups raised $532.3 million, a 49 percent jump from $320.2 million in Q1 2025, according to the PitchBook-NVCA Venture Monitor.

However, the Q1 total fell 23 percent from the $671.05 million raised in Q4 2025.

Among the first-quarter funding highlights in Houston were:

  • Utility Global, which focuses on industrial decarbonization, announced a first close of $100 million for its Series D round.
  • Sage Geosystems raised a $97 million Series B round to support its geothermal energy storage technology.

Those funding rounds underscore Houston’s evolution as a magnet for VC in the energy sector.

“Today, the energy sector is increasingly extending into the startup economy as venture capital flows into companies developing the technologies that will shape the future of global energy,” the Greater Houston Partnership says.

The energy industry accounted for nearly 40 percent of Houston-area VC funding last year, according to market research and lead generation service Growth List.

Adding to Houston’s stature in VC for energy startups are investors like Chevron Technology Ventures, the investment arm of Houston-based oil and gas giant Chevron; Goose Capital; Mercury Fund; and Quantum Energy Partners.

How Houston innovators played a role in the historic Artemis II splashdown

safe landing

Research from Rice University played a critical role in the safe return of U.S. astronauts aboard NASA’s Artemis II mission this month.

Rice mechanical engineer Tayfun E. Tezduyar and longtime collaborator Kenji Takizawa developed a key computational parachute fluid-structure interaction (FSI) analysis system that proved vital in NASA’s Orion capsule’s descent into the Pacific Ocean. The FSI system, originally developed in 2013 alongside NASA Johnson Space Center, was critical in Orion’s three-parachute design, which slowed the capsule as it returned to Earth, according to Rice.

The model helped ensure that the parachute design was large enough to slow the capsule for a safe landing while also being stable enough to prevent the capsule from oscillating as it descended.

“You cannot separate the aerodynamics from the structural dynamics,” Tezduyar said in a news release. “They influence each other continuously and even more so for large spacecraft parachutes, so the analysis must capture that interaction in a robustly coupled way.”

The end result was a final parachute system, refined through NASA drop tests and Rice’s computational FSI analysis, that eliminated fluctuations and produced a stable descent profile.

Apart from the dynamic challenges in design, modeling Orion’s parachutes also required solving complex equations that considered airflow and fabric deformation and accounted for features like ringsail canopy construction and aerodynamic interactions among multiple parachutes in a cluster.

“Essentially, my entire group was dedicated to that work, because I considered it a national priority,” Tezduyar added in the release. “Kenji and I were personally involved in every computer simulation. Some of the best graduate students and research associates I met in my career worked on the project, creating unique, first-of-its-kind parachute computer simulations, one after the other.”

Current Intuitive Machines engineer Mario Romero also worked on Orion during his time at NASA. From 2018 to 2021, Romero was a member of the Orion Crew Capsule Recovery Team, which focused on creating likely scenarios that crewmembers could encounter in Orion.

The team trained in NASA’s 6.2-million-gallon pool, using wave machines to replicate a range of sea conditions. They also simulated worst-case scenarios by cutting the lights, blasting high-powered fans and tipping a mock capsule to mimic distress situations. In some drills, mock crew members were treated as “injured,” requiring the team to practice safe, controlled egress procedures.

“It’s hard to find the appropriate descriptors that can fully encapsulate the feeling of getting to witness all the work we, and everyone else, did being put into action,” Romero tells InnovationMap. “I loved seeing the reactions of everyone, but especially of the Houston communities—that brought me a real sense of gratitude and joy.”

Intuitive Machines was also selected to support the Artemis II mission using its Space Data Network and ground station infrastructure. The company monitored radio signals sent from the Orion spacecraft and used Doppler measurements to help determine the spacecraft's precise position and speed.

Tim Crain, Chief Technology Officer at Intuitive Machines, wrote about the experience last week.

"I specialized in orbital mechanics and deep space navigation in graduate school,” Crain shared. “But seeing the theory behind tracking spacecraft come to life as they thread through planetary gravity fields on ultra-precise trajectories still seems like magic."